Interior Design, Home Furnishings

 
Junkyard Jeweller - James Corbett
As can be seen from the photos, Corbett likes to give his work the impression of speed – cars cornering hard, scarves flying in the wind.


Click to enlarge

Brisbane-based artist James Corbett makes sculpture with a difference.  His raw material is old car parts.  In fact, this is all he uses, which is hardly surprising given his background.

“Up until a few months ago I had a wrecking business – French wrecking in Brisbane,”  James Corbett explains.  Corbett has since sold this business and is now concentrating full-time on his unique car parts sculptures,  His work includes motor sport trophies and what he calls ‘personal indulgences’ – a recent example of this is a replica of a PRB Clubman racer for its owner. 

Some of Corbett’s finished works are very large, more than a metre long.  Even bigger, once finished, should be his version of a Peterbilt semi.  He is using a reat vision mirror from a Renault 750 as the truck’s windscreen – this should give some idea of the scale.

“Parts from the ‘40s and ‘50s are the best,” he says.  “ That was when they used to use a lot of chrome and stainless steel.” 

Finding the right bits is one thing.  Sticking them together is another.  Corbett says he is a self taught welder who has previously built off-road racers, so the construction of non stress-bearing sculpture is not a real problem.

As can be seen from the photo’s Corbett likes to give his work the impression of speed-cars cornering hard, motorcycles leaning into a turn, scarves flying in the wind.  This is not still life.

He is finding a lot of his commissions are coming from the automotive industry.  He is currently searching wreckers’ yards for enough parts to construct a huge metal crocodile, one of several works for the interior of a new Toyota dealership in Brisbane specializing in 4WD’s.

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Don't miss seeing NNancy a generative installation by designer Guy Keulemans, which explores the effect of structural growth on spatial perception and experience. The structure is derived from a simple fixed angle module which becomes increasingly complex as it grows, mirroring patterns found in nature, but within a precise and artifactual framework.  Designer Guy Keulemans will be at at pyd every Tuesday working on the project's evolution so come down to pyd and watch this incredible artwork take shape. 


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